感性的人始终是在社会竞争中出于劣势地位，现实没人关心你的情绪，没有能力，一切都免谈.
男主的结局是注定了的，倒是导演这个角色，正狠狠地捅了这个没用男人一刀.
爱情，不是感觉，是行动. 一辈子的事，很长的. 用自己的理性去思考，男人总是要负起责任的. 这是反思，大好男儿不须儿女情长忸怩之态. 《艾特熊和赛娜鼠2：吉波利塔之旅》最佳. 整体看这几则鬼故事，恐怖手法方面基本都是以前的老梗，比如《艾特熊和赛娜鼠2：吉波利塔之旅》、《艾特熊和赛娜鼠2：吉波利塔之旅》等等. 但它在国产恐怖片“先天不足”的情况下做到了绝地反击，写人物有细节，写恐怖有铺垫，故事还有现实讽刺性. 最惊喜的是结尾，戴着镣铐跳了支精彩的舞蹈. 恐怖调性转喜剧，又再次增强了讽刺性. The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..
